Tag: vampires

The presence of psychic phenomenon resonates throughout my book.  Alexandra has powerful dreams she does not understand and a dream of a diseased woman handing her a trio of spheres, with Ramey Sandeley's eyes blazing through her sunken orbs, is the catilyst for her to make the journey to Black Lake. 

Later,  when Ruth takes Alexandra into the underground, she is told some very frightening pieces of information from  Kevin, a clairavoyant from an ancient Scottish clan who have carried on "the gift" for centuries.  In fact, it is Alexandra's denial of her own gift that has led her to her despair and near self destruction.  It is not until she sees the trio of spheres in the glen that she realizes that her destiny is actually a path that has been laid out, and the road is in fact her own personal truth.

As I finished writing  the book, I realized that although I was very aware of  my own psychic abilities and sought to understand dreams and honor synchronicity and premonition, it was very difficult for me to let go and trust that these indicators were realistic.  However, every step in the writing of the book, photography and filming of the trailer have been steeped in messages and helping hands, none of which would have occurred had I not listened to the messages of dreams, intuition and the blessed souls who met me with perfect timing in my journey and offered their personal gifts.

A.

The genesis of House on Black Lake Lake did not come in a dream, as did Stephanie Mayers, Twilight, although many dreams conbributed to its execution. The beginning of my story began with an actual experience not unlike that of Alexandra's.  I was a newly separated mother invited to holiday at the summer home of friends.  On the night of our arrival, my son and I were rowed out to stay in a decaying house on an island in the middle of the lake.  The remainder of my stay was steeped in drama and mystery, and when I returned I told the story again and again, until one night years later I told the story to a man who would encourage me to set the story to paper.

In a seaside bar in Venice Beach, California the elderly poet, who was a muse to younger writers, told me to go home and describe how it felt to be rowed across the lake to the house on the island.  The story would  take its own shape once I started, he told me.  When I returned to my home in the San Francisco Bay Area, I fell while watering a plant and landed in bed or on crutches for over a month.  I felt terribly sorry for myself, and began to write The House on Black Lake.  As the old man advised, the story did take on its own life, in a way I could not have possibly imagined.  None of the scenes were designed by me - they all came unbidden.  As example, I dreamt that a handsome French looking man approached me in an antique store, and as I admired a French armoire he said," just because it says its French it doesn't mean it actually is" - then he said the name Labat's.  There are endless stories and anecdotes for nearly all of the scenes in the book.  They are all interwoven with experiences, and yet separate, with a life of their own. 

What has surprised me most about setting out to write this book, is that it has rewritten the script of my own life.  The journeys I have taken to bring truth to the book have enriched my life with incredible experiences, and many new friends who are still in my life.   Goethe's quote about boldness having power and magic is true - if you have something inside that aches to be brought to life - begin it now!

A.

Jesse Spencer, Frazer Bradshaw and I have been working together to tighen the lastest draft of the trailer.  We've added more voice -over and are reworking the music.  It's really tightening up and I think I'm close to achieving what I set out to accomplish.  Overall, I would say it lends itself to becoming a film, but first things first!

I've recently found a great book designer, Robert Aulicino of Aulicino Design, a former designer with Random House for over twenty years.  He plans to use the original artwork created by myself and David Wilson for the cover, while adding intriguing titles and completing the layout for the interior of the book.  The manuscript is in the hands of Maggie Schuhy, who's giving it a final copy editing in preparation for print. 

 Every aspect of the process is a form of art, and I've been fortunate to have collaborated with great artists throughout my journey on this project.  Every individual has helped illuminate the world of Black Lake.

A.

Alexandra encounters a number of female predators in her journey through Black Lake. In the beginning she is as drawn in by the predatory women as the males. However, as she evolves she learns to disengage and reclaim a more powerful womanhood, based on a higher purpose and the values of dignity, self respect and a desire to foster the best in all relationships.

Female predators in the wild can be as vicious as any male.  They come in many forms, from the vicious wild cats to the shy Black Widow who catches her prey in a messy looking web, and who may or may not kill and eat her mate after he has helped her reproduce.  The human female predator can be just as vicious and toxic.  These women are not usually particular about prey - they can be any sex, race or age, as long as they feed their needs.  However, it is the mate who must be particularly careful - for she is unquenchable.   The dominance of the female predator is often masked, camouflaged to fit in with the territory. Like all successful predators, this kind of female knows how to spot vulnerability, and neediness.  Then, when the guard is down, she goes for the jugular.

          But, first there is the stalk - she feeds your ego, laughs at your jokes,  understands your needs, sexual and otherwise.  What you don't know is she is a master at camouflage and subtrefuge.   She's an emotional roller coaster, exciting, intriguing. Or perhaps the girl is quite demure - it all depends on the nature of the hunt.  Regardless of  manifestation, she will become a mirror of what you are looking for, and understand and need you like no other. This is the early part of the stalk.  Once she's got you by the neck, you won't see her look at you with enticement.

A predator never looks into the eyes of the prey once the victim is taken.

 At journey's end Alexandra will have outwitted one of these predators and guided another to gain what she desires through self actualization.

I grew up in a damp town in the Pacific Northwest, much like the one protrayed in the novel, Twilight. And, like author, Stephanie Meyer, the characters and plot of my book came from the fabric of my dreams and subconcious flights of fancy.  In fact, she brought her hand to paper (or keyboard) at nearly the same time I was drawn to tell my tale.  My inspiration was the experience of being rowed out and left to stay in an abandoned Victorian on an island.  So terrifying, it stayed with me and germinated for many years, until I was ready to take a journey to the underworld.

Twilight is a teen's tale, written for the young adult market, yet has drawn women of all ages. My novel, The House on Blake Lake is written with the mature woman in mind - but I hope it will also be of interest to teenager girls.  Both reflect the hunger women (and many men) feel to fully experience hidden desires and powers.  During my formative years, living in a mill town on the Oregon coast,  the only source of passion and drama (beyond the screen) was in church.  My passions repressed, the tortured characters in the stained glass lived out full lives - fearless, brave, strong, sensual, erotic, blessed, and tortured. There were miracles and magic, candles burning and the smells of the exotic. Their's was a world both horribly repressed and viciously carnal.  The seeds of all we wished for, but could not have,was contained in the sainted images of those gothic structures.

In this time of transformation, as institutions falter and the gatekeepers waver on the precipice, it is possible to be brave and fight one's way from the underground - in a Neo Gothic Resurrection.  This is a time where the old rules can be broken and those who wish can seek to fulfill their most creative desires.  The damsal in distress has been replaced by a new kind of woman - a strong and independent human being with a thirst to unite with those who will empower her.  We all seek to be complete and this can only happen through our own resurrection and transformation.  Truth is Beauty and Beauty Truth. In Twilight, as in The House on Black Lake, it is a woman's hunger for love and union that brings out what is most beautiful inside and gives us the strength to own our  true essence.

 Our hunger is our beauty.

Anastasia Blackwell

When I set out to write The House on Black Lake, I did not consider the genre of the book. I only knew I had a story to tell that was so powerful, it consumed much of my time and passion for the next four years.  When the book was fully edited, I was told I must find a genre to market my book to a niche audience.  My editor had warned me that many agents will turn you down outright if you mention the words "romance" or "erotic."  So, I chose "psychological thriller", an apt title for a book about a woman's journey into the dark shadows of herself.  However, I quickly realized I was on the wrong course.

I solicited a second opinion from another agent, asking for an analysis of the first few chapters. I was aghast when she informed me my book was a "contemporary gothic romance", or "erotic gothic romance." I  professed to have never read a tawdry romance or erotica novel, although I had read many erotic and romantic literary works. I associated the former with lonely women locked in loveless marriages, who lived their lives through others.  These books were certainly not for an independent and adventurous woman such as myself.

Some have called romance novels porn for women, and they, with only a few exceptions, are generally viewed with distain by the literary commununity.  Of course, it is a fact that many romance novels are poorly crafted and feed off the needs of women who desire to lead more vibrant lives than allowed by mainstream society.  Yet, there have been masterpieces of romantic literature, most promintently Du Maurnier's Rebecca, the Bronte sisters and the works of  Jan Austin.  Whether or not they deserve respect, the romance and erotic factories are where the majority of books are sold, in times of affluence and in time of depression. Romance and erotica are what a large population of women want, despite the taboo.

Yet, it can be successfully argued that every book is a romance novel.   In every genre of fiction, romance drives the novel. Love/ Passion for "someone or something" creates conflict and drama. Even in the most male driven books, some kind of romantic influence generally finds its way into the plot.  So, all books incorporate elements of  romance, and it is time to come out of the closet.  Human beings strive for love and a sense of completeness with an opposing other.  It is true of both men and women.

I chose the genre,"Neo Gothic Suspence," not because I want to avoid stigma and lose readers like myself,  but because it would be redundant to call it a "romance novel".  The House on Black Lake is a journey into a woman's soul.  It is highly  provocative,  romantic and erotic, because that's want we want- taboo or not.

Anastasia