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Tag: publishing

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The House on Black Lake Trailer

I've recently seen the first cut of the trailer, edited by Jesse Spencer, and it's stunning.  Frazer Bradshaw has shot visuals that are of major motion picture calabre.  It is now our goal to cut and edit the piece into an alluring alter universe, filled with drama, danger and erotic tension.  I'm searching for French Canadian singers that can bring passion and soul to the piece, drawing out what can only be found in that part of the universe.  I'm also looking for background music to resonate with the intense internal conflict of all characters, and in particular, of Alexandra and Ramey.

At this moment in my journey, I'm filled with awe and appreciate every person who brought their talents to the table to make this trailer a unique work of art.  To visually experience what I imaged in my mind on film and to see the characters come to life is an experience I really can't explain.  I can only intensify the ride and draw in the the best sound effects to create an experience that will move  the audience and drive them deeper into the world of Black Lake.

A.

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New Trailer for The House on Black Lake

The last few weeks has been intense as I scrambled to bring together all necessary elements to produce a great film trailer for the House on Black Lake.  Collaborating with brilliant cinematographer Frazer Bradshaw and his incredible producer/director Isaac Ebersole, I created a film script and chose the Chateau Tivoli mansion, Golden Gate Park and Sloat park to recreate the look of the French Canadian contemporary gothic feel of the book.

I was fortunate to bring together an incredible cast to play the characters from the novel.  Wade Gotwals, plays to perfection the rogueish Ramey Sandeley, Morla G. brings to life the broken beauty of Ruth Sandeley, Tosh Yanez sensually captivates as Andre Labat, and little Benny Duskin is a most adorable Sammy.  I play the part of Alexandra Brighten, the world weary woman who must reclaim her power if she is to survive.

The film is now in the hands of editor, Jesse Spencer.  The book trailer promises to be a glorious achievement, due to the efforts of these talents and many more kind and helpful individuals who participated to bring this story to life.  I will be blogging daily to give more details of the production and the individuals involved.

Thanks to each and every one of you who were involved in this project - I love you all!!!

A.

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Metamophosis

 

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When Alexandra and Sammy arrive at the Sandeley’s house on Black lake, they are bombarded my moths from the carriage lights straddling the front doors to the luxurious mansion.  At the end of their journey, when they  escape from the house at daybreak, the carriage lights are switched off and the bodies of the moths who beat themselves to death seeking light, lie dead, in heaps on the floor. 

 

 

The metamorphosis has begun.

 

 

 

 

 

 

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THE CALL OF THE WILD by Anastasia Blackwell

Ramey Sandely, has lived his life controlling his environment.  He brands his animals with his own tools, runs worldwide entrepreneurial pursuits and lives his life by his own rules.  But he has a lesson to learn and will take an unexpected journey with Alexandra, although that was not his intention when he made plans for her visit.

Men have forgotten this.

But you must not.

Your are responsible, forever, for what you tame.

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BOLDNESS, MAGIC, AND POWER by Anastasia Blackwell

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The following message from the past, from the desk of Goethe, has been my guiding light in the years I have worked on my book and remains a strong inspiration. In the moments I lack belief in a  particular course of attact, I remind myself that it is boldness that creates opportunity. It is this lack of commitment and trust in herself that has kept protaganist, Alexandra, stuck and unable to move forward in he life . Her journey will teach her the power of commitment to oneself. 

Until one is committed

there is hesitancy, the chance to draw back,

always ineffectiveness. 

Concerning all acts of initiative (and creation)

there is one elementary truth

the ignorance of which kills countless ideas

and splendid plans:

That the moment one definitely commits oneself

then Providence moves too.

All sorts of things occur to help one

that would never otherwise have occurred.

A whole stream of events issues from the decision

raising in one’s favour all manner

of unforeseen incidents and meetings

and material assistance

which no man could have dreamt

would have come his way.

Whatever you can do or dream you can, begin it.

Boldness has genious, power and magic to it.

Begin in now.

 

Goethe

 

 

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THE CALL OF THE WILD

iStock_000004350724XSmallwhite horseRamey Sandeley, the central male character in The House on Black Lake, has lived his life controlling his environment. He brands his animals with his own tools, runs worldwide entrepreneurial pursuits and his wife and children live by his rules. But Ramey has a lesson to learn. Although that was not his intent when he made plans for Alexandra’s visit.

Men have forgotten this truth. But you must not. You are responsible forever for what you tame.

 

 

 

 

 

 

 

 

 

 

 

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ANDRE LABAT AND GEORGIE LAPOINTE - An Introduction to the Provocative and Erotic Characters of the House on Black Lake

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RAMEY SANDELEY AND ALEXANDRA BRIGHTEN - An Introduction to the Provactive and erotic characters of The House on Black Lake

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March 9, 2009 Posted by admin in Blog

THE PRICE OF TRUE LOVE by Anastasia Blackwell

istock_000003152787xsmall-erosWhen Alexandra Brighton first takes the eyes of Ramey Sandeley she is newly married and believes she is in love with her husband. She has been taught to accept a superficial concept of what love means, and her husband,Matthew Brighton, has the perfect pedigree. He is highly attractive, successful, well educated, and offers all the worldly goods one could desire. Yet, when she looks into the eyes of Ramey, she feels a dormant part of herself come alive, and nothing matters except the wild brilliance of this feeling. Ramey is also wildly handsome, successful, and newlywed. But there is a vast difference between the two. At their first meeting something both terrible and wonderful happens.

 
For the first time in her life, Alexandra comes viciously alive and experiences an explosive desires to run away with this stranger and free herself of the material world.   She's seized by fantasies of riding with him on a winged Pegasus or flying carpet to a world devoid of society - where there are only the two, nature, and nothing else but candlelight, moonlight, bonfires, forbidden writings, crashing waves, thunder, chilling rain, strange bazaars, burning sands, exotic plains, skin on skin, dangerous animals, bareback rides, swinging through trees, danger, inside and out.

 
In a startling flash, she realizes she is daily judged and heavily reined in by the world around her and nearly owned by a husband who is more master than equal lover. It's now infinitely clear she doesn't even know her husband, let alone understand the nature of his soul. Yet Ramey speaks to her without words - and those unspoken words are powerful. Alexandra has found a true love for her lost soul, but the possibility of their union cannot be achieved until she has claimed the right to this kind of love. And, this will involve many years of great hardship, trials and sorrow.

 
True Love comes unexpected and unbidden, and when it strikes it  both destroys and creates. It will not be denied. For those who settle for less there is no journey. For those who are bestowed the gift and choose to follow, there is a heavy price to pay. It will be nearly thirteen years before Alexandra once again lays eyes on the man who destroyed what she believed an idyllic life, and awakened the brutality of  true love.  Her days on Black Lake will further peal away the layers of her encased soul to release the divinely idyllic within - the spot where True Love unites. 

Anastasia Blackwell

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Female Predators

 

istock_000006230797xsmall-venetian-maskAlexandra encounters a number of female predators in her journey through Black Lake. In the beginning she is as drawn in by the predatory women as the males. However, as she evolves she learns to disengage and reclaim a more powerful womanhood, based on a higher purpose and the values of dignity, self respect and a desire to foster the best in all relationships.

Female predators in the wild can be as vicious as any male.  They come in many forms, from the vicious wild cats to the shy Black Widow who catches her prey in a messy looking web, and who may or may not kill and eat her mate after he has helped her reproduce.  The human female predator can be just as vicious and toxic.  These women are not usually particular about prey - they can be any sex, race or age, as long as they feed their needs.  However, it is the mate who must be particularly careful - for she is unquenchable.   The dominance of the female predator is often masked, camouflaged to fit in with the territory. Like all successful predators, this kind of female knows how to spot vulnerability, and neediness.  Then, when the guard is down, she goes for the jugular.

          But, first there is the stalk - she feeds your ego, laughs at your jokes,  understands your needs, sexual and otherwise.  What you don't know is she is a master at camouflage and subtrefuge.   She's an emotional roller coaster, exciting, intriguing. Or perhaps the girl is quite demure - it all depends on the nature of the hunt.  Regardless of  manifestation, she will become a mirror of what you are looking for, and understand and need you like no other. This is the early part of the stalk.  Once she's got you by the neck, you won't see her look at you with enticement.

A predator never looks into the eyes of the prey once the victim is taken.

 At journey's end Alexandra will have outwitted one of these predators and guided another to gain what she desires through self actualization.

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